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Bill Spicer
Bill Spicer (born October 1, 1937) is an editor and publisher who spearheaded the 1960s movement away from commercial comics, opening the gateway to underground, alternative and independent comics, notably with his publication ''Graphic Story Magazine''.
Born in Los Angeles, Spicer began reading science fiction fanzines in 1951-52. He learned professional lettering techniques while working at an ad agency from 1955 to 1967, and he became a letterer with Western Publishing in 1967. Three years earlier, he had entered the publishing arena himself after placing a want ad in a fanzine seeking contributors. After responses from artist Landon Chesney and others, he launched a 500-copy offset print run of ''Fantasy Illustrated'' #1 (February 1964) displaying a cover by Chesney and graphic stories in a variety of genres. This included an adaptation of Eando Binder's 1940s pulp novella "Adam Link's Vengeance", illustrated by D. Bruce Berry, which won the Best Fan Comic Strip award in the 1964 Alley Awards. With the third issue, an adaptation of Edgar Rice Burroughs' "The End of Bukawai" by Spicer and Harry Habblitz also won an Alley Award.〔(Schelly, Bill. ''Founders of Comic Fandom'', 2010. )〕
==''Graphic Story Magazine''==
With the introduction of the column "Graphic Story Review" by Richard Kyle, the focus began to shift to articles, reviews and interviews in addition to the stories, resulting in a change to a new title, ''Graphic Story Magazine'' with issue #8 (Fall 1967).〔(Grant, Steven. ''Comic book Resources'', October 27, 1999. )〕 Issues #12 and #14 were devoted entirely to the work of Basil Wolverton. Interviews included Alex Toth (#10). Will Gould (#11), John Severin (#13), Gahan Wilson (#15) and Howard Nostrand (#16). After the run ended with issue #16, Spicer then launched ''Fanfare'', a magazine devoted to all aspects of popular culture.〔
In 1971, Spicer partnered with Michael Moore and Fred Walker to form the Los Angeles Comic Book Company which published ''Mickey Rat'', ''L.A. Comics'', ''Mutants of the Metropolis'' and the full-color ''Weird Fantasies''.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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